For portraiture i decided to shoot two different people in front of two different colored backdrops, i wanted to show off these two shots because both pictures are different for example the first picture the subject is looking straight into the camera and the shot is only of the top part of her body whereas the second person is looking into the distance past the camera and the picture is from her waist upwards this therefore creates different perspectives and depth of fields which makes for better shots with variations.
I like the first shot as the colour of her hair contrasts with the backdrop and the way that she looks dead-pan into the camera gives an interesting shot, the angle of the image is straight on. i like the way all the tones seem to fit and contrast with clothing and features of form. when shooting Jasmine i left her to choose which facial expressions she wanted to choose, this gave quite a natural feel to the pictures.
For the second image i gave Morgan instructions, for this particular image i told her to look off into the distance, the tones in the picture and the facial expression all come together to create a melancholy atmosphere, the contrast between black and white in this image is very effective in creating the atmosphere, the way that her expression is dead pan and yet she is looking off in to the distance makes for an interesting shot.
Progression:


Theanalysis is good but.. you have combined three separate shots into one. (1) low key lighting, (2) portraiture in the style of Thomas ruff and (3) Portraiture in the style of Richard Avedon. you should have written more extensively on these separate areas... to demonstrate a more sustained and focussed investigation... Students were asked to add a lighting set-up (light diagram) for the low key, this was where you ned to link the description of the lighting set up (honeycomb and reflectors with the final outcome (dramatic) low key lighting
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